I have a passion for black and white photography


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The studio was started in 1988 by a young American called David Hogue, whom he met during the summer of 1989. This was a time when Hogue would photograph black bodies of varying sizes (at least 300 people in total) in a series to help give an audience of black people a sense of what they might be seeing. One of the other members was Charles Stross, the editor of the New York Times, and he had never been a subject of color photography. He and a friend of his were working with a photographer named Charles Zabriskiello on the subject at the time. In addition to the two in black, which were also photographed at the time, other photojournalists like Charles Clements would also be photographing subjects that Hogue had photographed at the studio and the black community in general, including Nellie Johnson, Annie Leibson, Jimmie Rodgers, and Tom Hardy. Hogue had worked with these friends when they were working for The White Album (1981) which he photographed together. That Hogue had gone to so many great lengths to find and photograph black artists who had worked in the photography sphere has helped to create a myth that there are no black men. The myth is that people's desire for recognition of themselves and their talents is a result of their blackness.

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